#MLBVideos: Don’t scare the mascots!!!

10 comments

1. First🇺🇸

2. Second

3. LOL 🤣

4. They fr scared

5. The mascots are me right there

6. Establishment-semi-establishment-comprehensive. It refers to the logical structure of dialectics. Hegel is by far the person who conducted philosophical arguments according to dialectics. Dialectic is not a parallel of three categories with equal status, but a structural characteristic of convergent upwardness in which two opposing categories achieve harmonious unification. In Hegel, dialectic is not only a method of argument, but also a method of existence of the object of argument itself. In other words, the internal structure of the world's fundamental order, "ideology," and the way ideology is revealed as a temporal and spatial reality are dialectical, so ideology and reality form a system, and philosophical arguments that reveal these two dimensional principles must also have dialectical system.

   Hegel intends to deal with aesthetics in a completely dialectical system. For him, art, the object of aesthetics, is a form of 'absolute spirit' like religion and philosophy. Absolute spirit refers to the realm of the human mind that recognizes the absolute truth, 'ideology'. Art, religion, and philosophy have the same absolute truth, but are classified according to differences in the form of perception. The forms corresponding to each of the three forms of absolute mind are intuition, representation, and thought. Intuition is an intelligence that sensibly perceives a given material object, representation is an intelligence that recalls the mind from the inside regardless of the presence or absence of a material object, and reason is a pure logical intelligence that identifies the object through the concept. Accordingly, each of the three forms is defined as 'the absolute spirit of intuition', 'the absolute spirit of representation', and 'the absolute spirit of thinking'. According to Hegel, the outwardness of intuition and the innerness of representation are synthesized from thought, and accordingly, the objectivity of art and the subjectivity of religion are synthesized from philosophy.

   Differences between formats lead to significant differences in the level of recognition of content. In Hegel, the absolute truth, the content of the absolute spirit, is inherently logical and rational. Since art is intuitive, religion is represented, and philosophy is thought, these three forms are graded step by step. In other words, art is the absolute spirit of the beginner stage, religion is the growth stage, and philosophy is the mature stage. Accordingly, in the order of art-religion-philosophy, the only absolute spirit in name and reality is based on the best intelligence, that is, philosophy, and art can function as an absolute spirit is limited to the far past in which the universal intelligence of mankind has not been developed.

   The attraction of dialectics lies in 'comprehensive'. The category of comprehensive should not end with a one-sided victory of one of the two opposing categories, nor should it appear in a neutral state in which the inherent essential regulations of the two categories are extinguished. The synthesis is established by creating the best category that is qualitatively enhanced by the essential regulations of the two.

   This is also the excellence of dialectics emphasized by Hegel. Therefore, it was his philosophical plan to solicit a strict and consistent academic system optimized for the principle of dialectic. However, can his achievements be evaluated as completing the plan without any flaws? When it comes to aesthetics, the yes answer will not be easy. The strategy of organizing the form of intelligence in the order of intuition, representation, and thought, and organizing the absolute spirit in the order of art, religion, and philosophy accordingly seems to be a typical composition according to the dialectic model. However, in the process from intuition to thought, externalities are gradually erased and internalities are gradually strengthened and completed, and in the process from art to philosophy, objectivity is gradually erased and subjectivity is gradually strengthened and completed, but true dialectical synthesis is not achieved. The essence of the outwardness of intuition and the objectivity of art is, above all, sensory perception, and these core elements are completely erased at the stage of synthesis he refers to.
   To be faithful to dialectics, Hegel should have added the absolute spirit of the stage in which the complete subjectivity achieved in philosophy is re-objectified. Art is a strong candidate to take the post-philosophy position. In fact, many works of art are not explained only through 'thought'. In addition, Hegel himself knows better than anyone else who has had a wealth of artistic experiences. For this reason, this discrepancy between the method and the philosophical system is all the more regrettable.

7. このマスコットたち、途中からいなくなったけど、何があったんだろう

8. Cute

9. FURR Y ?

10. 😂